This is specifically due to the effect that, in recent decades, there has been a considerable widening in the number of artistic media. Many artists work using diverse techniques, sounding out the border areas and bridges between the artistic forms and also between free art and applied art.
The central work of art in this group “Walt Disney Production” by Bertrand Lavier, symbolizes the relevance of the solitaires; they do indeed stand as unique works, but in so doing, they lend the collection autonomy of choice and open-mindedness.
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Photo: Achim Kukulies <br>
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Andreas Jonak (b. 1989 in Magdeburg) is also a former student of the Düsseldorf Academy of Arts, which still remains prolific. The past student of the sculptor Anthony Cragg selects angular, abstract forms that are reminiscent of the art of expressionism and the art of cubism in equal measure. The form that can be interpreted with a bit of fantasy as a peculiar, reclining animal, bears a resemblance to the Monument of the March Dead by Walter Gropius that was unveiled in 1922 in the historic cemetery in Weimar. (Thomas W. Kuhn, Catalogue 2016)
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Photo: Achim Kukulies <br>
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Andreas Jonak (b. 1989 in Magdeburg) is also a former student of the Düsseldorf Academy of Arts, which still remains prolific. The past student of the sculptor Anthony Cragg selects angular, abstract forms that are reminiscent of the art of expressionism and the art of cubism in equal measure. The form that can be interpreted with a bit of fantasy as a peculiar, reclining animal, bears a resemblance to the Monument of the March Dead by Walter Gropius that was unveiled in 1922 in the historic cemetery in Weimar. (Thomas W. Kuhn, Catalogue 2016)
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Photo: Achim Kukulies <br>
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Dokyun Kim (b. 1973 in Kwangju) and his images belong to the few photographic items among the works of the partnership. A line to geometrical abstraction can be readily drawn from his image of piled up containers in a harbor. He constructs this constellation not with the assistance of color on canvas, but rather by finding them in reality.
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Photo: Achim Kukulies <br>
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Theresa Kallrath (b. 1987) is a Swedish-German artist. She studies at Professors Udo Dziersk, Herbert Brandl, and Siegfried Anzinger at Düsseldorf Academy of Arts. <br>
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In Theresa Kallrath’s painting, color is applied to the canvas using a squeegee. The abstract color compositions abide by defined and repeating structures, and in the process, the finely harmonized color palette produces spatial depth. The layers of color gradients applied with the squeegee strengthen the impression that the pictorial depths of the image are being sounded.